Showing posts with label New Orleans. Show all posts
Showing posts with label New Orleans. Show all posts

Tuesday, September 2, 2025

Recent reading: Alfred Hitchcock's and Ellery Queen Mystery Magazines

Trying to catch up on my short story reading. Not doing very well - I'm still a couple issues behind. Add in the fact that I'm working my way through the new short story anthology inspired by Stephen King's The Stand and I'll probably fall even further behind on the magazines. Me and my first world problems.

   
 Alfred Hitchcock's Mystery Magazine (March/April 2025)

Favorites from this issue: 
  • "Bent, Bent & Duckworth" by Alexis Stefanovich-Thomson: A well-plotted story with a put-upon PI protagonist whose mother and step-father attempt to take over his business.
  • "I Ain't Got No Home" by Steve Liskow: A missing homeless man prompts an investigation that leads to the exposure of human trafficking and political corruption.
  • "Admissions" by Ken Linn: High-level academic shenanigans. 
  • "Quick Turnaround" by Gabriela Stiteler: A professional downsizer gets involved in a local mystery that doesn't concern him.
  • "Boogie Shoes" by Jeff Marks: A locked-room mystery set in a mall shoe store circa late 1970's - bonus points for the Waldenbooks shoutout.

 

 Ellery Queen Mystery Magazine (May/June 2025)
 
Favorites from this issue (one of the best overall I've seen in recent memory):
  • "The Portrait of Adrian Whyte" by David Dead: My favorite short story so far this year,  an imaginative tale that suggests the inspiration for Oscar Wilde's novel The Picture of Dorian Gray might have involved a real-life murder.
  •  "The Witch's Ball" by Elizabeth Elwood: A lively story of a celebrity murder during Halloween festivities at a witch museum in Salem.
  • "Tarzan Must Die!" by Loren D. Estleman: A UCLA film archivist gets mixed up in the murder of an actor whose career has seen better days.
  • "Nighthawks" by James Hazelton: A terrific flash fiction story inspired by Edward Hopper's famous painting, in which the author gives his take on the patrons at the counter. Spoiler alert - no one is innocent. You'll see this painting a whole different way after reading this story.

  • "Blues in the Night" by Persia Walker: In 1940's New Orleans, a young nightclub singer takes on corruption in the police force and local politics to clear her name in the murder of her boyfriend. This read like something that could be expanded into a novel. The fact that I should have been in NOLA for Bouchercon this week just added to the reading experience.
  • "Shamus and Buster" by Paul Ryan O'Connor: A P.I. is murdered and the investigation is told from the point of view of his aged cat.
  • "A Short Madness" by Josh Pachter: The story of how a psychologist solves a "locked-cell" murder mystery set in an 1850's era mental institution, as told years later by his assistant.
 

Alfred Hitchcock's Mystery Magazine (May/June 2025)
 
Favorites from this issue:
  • "The Twenty-Fourth Canterbury" by Richard Helms: A successful author wants to end his hit series but is being pressured for just one more installment of his legendary sleuth.
  • "Shane on the Scene" by James A. Hearn: A fun story about a young mystery fan who gets to help his detective uncle solve a case and thwart his mother's marriage to a crook at the same time.
  • "Buds" by Kevin Egan: A play on words title and a fun story about a trial between a star and her former manager, and how a trio of court guards are drawn into the case.
  • "Nobody Cares" by Michael A. Black: A dead homeless guy who is more than he seems leads a pair of detectives into local politics and corruption.
  • "The Tell-Tale Hearts" by S. Frederic Liss: Detective Poe relates to the mysterious case of how he channeled Sherlock Holmes to solve the case of involuntary heart donors/murder victims.

 

Saturday, November 2, 2024

The curse of procrastination: A writer's lament

I am a world-class procrastinator. If there was an Olympics for procrastination, I would be showered in gold medals. I would be on the cover of Wheaties boxes. I am an expert on wasting time on frivolous crap like social media and online games like Scrabble and Solitaire when I should be writing.

I'm not saying any of this to brag. I'm not proud of it, in fact I hate it. I hate that's how my mind works.
 
I don't want to be a world-class procrastinator, but hey, we can't always have what we want.

To explain what brought on this rant:

A couple months ago I decided I wanted to submit a story for next year's Bouchercon anthology. Getting into a Bouchercon anthology has been on my short story bucket list for years. The 2025 conference is in New Orleans and not only am I eager to return to the French Quarter, I'd love to be in that particular collection. And since the deadline wasn't until November 1, I had plenty of time.

The theme for Bouchercon anthologies (besides crime) is usually tied to that year's location, and of course, the theme for Blood on the Bayou: Case Closed is NOLA based or inspired crime stories.
 
 
Because I am very much a Southern Californian and not a Southern Lousianian (is that the word?) and I've only been to NOLA once (for the 2016 Bouchercon) I decided I would approach the story from a tourist aspect. What tourist think they know about NOLA and its culture, as opposed to what little they actually know and/or understand. And eventually I settled on voodoo and a gift shop.

One of the things I read for research is New Orleans Voodoo: A Cultural History, and from page one it's a real eye-opener about the reality of New Orleans voodoo and how the practice is portrayed in film and television. It's so much different than I realized, so I decided to work that into the story. I also read the 2016 Bouchercon anthology Blood on the Bayou to see what kind of stories they published. It was a terrific read, highly recommended, and I really hope to be part of the next one.

But first, I had to write an actual story.

By mid-September I had a pretty good idea of the kind of story I wanted to write. It was inspired by my personal experiences involving a greedy, problematic family member in the aftermath of my Dad's death in 2011 (there was money involved and that almost always causes trouble) and familial betrayal in general. And that's what I've been mulling over for weeks now.
 
Part of the problem was that I couldn't figure out the actual story. An idea is one thing. For me that's the easy part. Taking the idea and turning it into a full-fledged story is where the work comes in. 
 
But as September and then October went by, I couldn't figure out what to do with my idea.

The deadline for this anthology finally arrived yesterday. At the beginning of the week the story was still nothing but bits and pieces and notes. I planned on dedicating the week to finishing the it because I really, really wanted to submit to this anthology, my lack of progress notwithstanding. And for the first few days of the week, nothing was happening.

Then, for some reason, I woke up Thursday morning and the story was there. I don't know how or why, it just was, in fact so much so that a large portion of it was written by noon. I finished and polished it on Friday and sent it in around 5:30pm. And I was thrilled - mission accomplished! I even finally figured out how to do em dashes!

Usually two days isn't enough to get a story polished to the point of submission, but this one was shorter than usual, plus the whole story takes place in one location and in real time so I didn't have to worry about moving the action around. And I'm genuinely happy with it. I really, really hope it gets selected but if it doesn't, I've got a great little story for future submissions.

That brings us back to procrastination. My usual MO is at first I take the approach that I have plenty of time before the deadline. Until I don't and that's when things get ugly, and frequently the result is that I don't finish the story in time to submit it, or it's so badly written that it doesn't get accepted, or I don't have a story at all. Again, I don't know why my mind works that way and it drives me nuts, but I guess there's something in my creative subconscious that just doesn't kick into gear until the deadline is looming.
 
Hopefully, at least in this case, the journey goes from the frustration of procrastination to laissez les bons temps rouler! And for good luck, here's some lovely pictures from when I was in New Orleans for Bouchercon in 2016. Amazing city.

Cafe du Monde. Beignets = Yummers.

Typical (and gorgeous) French Quarter architecture.

Mule-drawn carriages in the French Quarter.

Voodoo Blues.

Morning skies in NOLA from my hotel room.

Monday, September 16, 2024

Greetings from Bourbon Street!!!

From these people! I have no idea who they are, but apparently they're visiting New Orleans, found the EarthCam on Bourbon Street, and hilarity ensued.
 
Next year's Bouchercon (and yes, I will be attending) is back in The Big Easy and that's reignited my love for all things French Quarter. Bouchercon 2016 was in NOLA, the first time I'd ever been there, and I fell in love with the place. Registering for next year brought the feels flooding back and I'm in NOLA-mania mode again. And among other things, that meant reacquainting myself with the live cams on Bourbon Street. 
 
I've already seen multiple mule carriages, but I just caught these people waving at the cam and it was hilarious. The way they were checking their phones, I think they had someone at home watching them and sending them pictures of themselves. They seemed to get a real kick out of it and it was impossible not to get caught up in the fun. So whoever you people are, thanks for bringing a little sunshine into my day and enjoy the rest of your vacation!
 
Laissez les bons temps rouler, my friends!
 
Speaking of Bouchercon, I'm working on a story to submit for their anthology. Getting into a Bouchercon anthology has been on my bucket list for a while and it would be great to get into this one. Wish me luck.


Sunday, July 10, 2022

Recent reading: "Heart Attack and Vine"


Heart Attack and Vine: A Crush Mystery 
(Crush Mysteries #2)
by Phoef Sutton

Disclaimer: Phoef Sutton is the editor of People Are Strange, an anthology that will be released later this year. My short story, "Welcome to Fabulous Las Vegas" is part of the anthology and so Sutton will be editing it.

This is actually one of those books that's been on my bookshelf for a while, and since I'll be working with Sutton I decided this would be a good time to bust it out. And I'm glad I did. Between a clever mystery, local settings (even the section set in New Orleans was familiar from having been there for Bouchercon in 2016) and the fact that not only is it set in the entertainment industry but takes great glee in poking fun at Hollywood types, this one is a winner. I didn't realize until I was almost done that this is actually the second book featuring bouncer/bodyguard Caleb "Crush" Rush. Unfortunately it looks like there was only one more in the series after this one (2017's Colorado Boulevard). 

In addition to the roller-coaster thrill ride that this story is, there's also a pretty amazing twist at the end that for me serves as a master class on writing a mystery as well as being entertaining as hell. I will definitely check out the other two Crush novels; my only concern is that they will leave me wanting more. I'll have to ask Phoef Sutton about it when I get the chance.

Tuesday, June 28, 2022

Uh-oh

I'm not gonna be able to fit through the door. Willie Mae's is coming to L.A., specifically Venice. Right down the street from me, practically.
 

We didn't make it to Willie Mae's when we were in New Orleans in 2016 for Bouchercon, but the plan has always been to return and this place, known for having the best fried chicken on the planet, has been on my to-do list for some time in anticipation of my next trip to NOLA. 
 
It's going to be in Venice, on Lincoln just south of Rose, across from the Whole Foods. My only question is about parking. I have to drive right by that location going to and from my monthly hair appointment in Santa Monica and I'll bet there will be lines around the block, just like in NOLA.

Can't wait!

Wednesday, August 4, 2021

Recent reading: "November Road"

November Road by Lou Berney

This is an absolutely riveting thriller set against the assassination of President Kennedy in November 1963. Frank Guidry has performed a job for his New Orleans mob boss that makes him expendable - a car he dropped off in Dallas, Texas could tie him and his boss to the assassination and his boss is tying up loose ends, if you know what I mean. 

While on the run from Barone, the hitman dispatched to eliminate him, Guidry comes across a woman who, along with her two precocious daughters, are on a flight of their own. Charlotte has impulsively fled her alcoholic husband and small Oklahoma town, hoping for more from life than the tedium hers has become. At first Guidry views the innocent family as a convenient asset to his flight to safety - Barone isn't looking for a family or a family man. But by drawing Charlotte and her girls into his desperate bid to stay alive, he's putting them in danger as well. Matters are complicated even more when Guidry and Charlotte fall hard for each other.

Berney is a gifted writer and November Road is a non-stop thrill ride. You're immediately drawn in not only to the story, but especially to the characters. I had to find out how things would turn out for them and got through this book in just a few days. The ending was completely unexpected, salvaging the main characters believably and without tying everything up into a neat little package as a lesser author might have done.

November Road earned Berney a well-deserved slew of awards: the Ian Fleming Steel Dagger, The Hammett Prize, as well as Anthony, Barry, Lefty, and Macavity awards. It was named one of the best novels of the year by numerous publications. And I was thrilled to discover that a film version is in the works, with Lawrence Kasdan scripting and directing. I can't wait for casting announcements.

Berney has written three other novels (November Road being the most recent) and now I'm dying to read those as well. 


Thursday, April 16, 2020

Bummer of the Day: Bouchercon 2020 cancelled


So some not so good news today: Bouchercon 2020 in Sacramento has been cancelled, another casualty of the COVID-19 virus. I was surprised by the timing because it wasn't taking place until mid-October. I was hoping that things would have started getting back to normal in plenty of time for the conference.

The official announcement from their site:

Dear Bouchercon 2020 Community:
In the 50 years since the first Bouchercon, our community of mystery fans and authors have gathered together annually for several days to celebrate all that we love.
We’ve faced many changes and challenges, but never have we faced something like the global coronavirus pandemic, which is causing widespread disruption to every aspect of our lives.
We’re terribly sad to tell you this, but out of an abundance of caution and concern for the health and safety of our community, we are canceling Bouchercon 2020.
We have no way of knowing what the balance of this year holds for groups of people gathering, nor can we tell what the state of travel will be.
While we are canceling the actual Bouchercon convention, we are working to develop a different format for some of the Bouchercon events and activities such as the Anthony Awards, the short story anthology and the General Membership meeting. Nominations will continue to be open until June 5 for the Anthony Awards. As we work to develop other ways to present a traditional Bouchercon experience, we’ll keep in touch with you.
For those of you who had registered or provided sponsorships, we will be issuing full refunds. And for those with hotel reservations, we will be working with the hotels to cancel all reservations, although they, too, are closed now.
Although the members of the Local Organizing Committee who have worked on this for the last five years are saddened, we know this is the right step to take to keep all safe. And we know that there will be future Bouchercons where we can gather again to celebrate the world of mystery.
As with Left Coast Crime San Diego, I do feel bad for the organizers, who have been working on this event for years.

The next Bouchercon is August 26-29, 2021 in New Orleans. The Brother and I are looking forward to spending some quality time there. Hopefully the world will have returned to what passes for normal by then.

Tuesday, January 16, 2018

Even the horses in New Orleans celebrate Mardi Gras!

Check out this video of a New Orleans mounted unit joining in the carnival fun.



There's not much I can add to how awesome this is, you just need to watch it. LOVE that horse (and the cop ain't too shabby either). Be sure to watch it all the way until the end, when dude just strolls off, cool as a cucumber.

This video brought back memories of a comment made by author Bill Loehfelm at Bouchercon 2016 in New Orleans. Loehfelm is a New Yorker who moved to NOLA in 1997. He said that dealing with the NOLA PD Mounted Unit during Mardi Gras could be summed in three statements: "Yes sir/ma'am", "No sir/ma'am" and "Thank you officer, I'll be on my way.

H/T to American Police Beat on FB for the video and to Cajun Navy 2016 on FB for the link.

Thursday, March 30, 2017

Well, I found the one thing that can close down Bourbon Street

Torrential rains in New Orleans right now. Via Earthcam:




Wednesday, January 4, 2017

Temporarily out of stock

Some musings on the deaths of Carrie Fisher and Debbie Reynolds, now that we've had a whole week to adjust to the idea.

Via Amazon:

I wonder what Carrie Fisher would have thought if she'd been able to see how much her death would affect people.

There is a petition to make Princess Leia an official Disney princess. Apparently Disney has a rule in place that their princesses must be animated. Who knew? I'm thinking that Disney will make an announcement at some point waiving the rule for Leia, if for no other reason that it would buy them an incalculable amount of good will.

New Orleans paid tribute to Carrie/Princess Leia in their own unique way.

Fathom Events had scheduled theater screenings of Singin' in the Rain prior to the deaths. I tried to buy tickets for the one near me a few days ago and it was sold out.

I think the tribute that got to everyone was the one posted by Todd Fisher on Twitter after their mother had joined Carrie in death:


HBO will air its Debbie Reynolds/Carrie Fisher doc Bright Lights this Saturday evening.

So far 2017 has spared us deaths of beloved celebs, although cops are unfortunately still fair game in the minds of thugs and lowlifes. But that's another post for another day.

Saturday, December 17, 2016

That old Disney magic

One of the things I learned on my trip to New Orleans is that when a ship (or in the case of my trip, a steamboat) sounds off, it's not just a random series of horn blasts.

On the Steamboat Natchez cruise (highly recommended by the way) we were informed that the boat announces its departure with one long blast of the steam whistle, followed by three bells, then another long blast of the steam whistle. When approaching the dock upon her return, the Natchez sounds off with this series of whistles: one long, two short, one long, two short.

Which brings us to this battle of the horns:



What can you do, Liberty of the Seas? Disney's gonna Disney!

H/T to Islands Magazine on Facebook for this one!

Update: Looks like cruise ship horn battles are an actual thing. Having never been on a cruise, I had no idea. Here are a bunch more to check out! Kiss the next few hours goodbye!

Saturday, November 19, 2016

Recent reading

The past few months I've gotten in the bad habit of starting books but not finishing them. It's like my writing - a ton of works in progress, but nothing finished. I've tried recently to wrap up some of my reading works in progress, and here they are.

Close to Shore: The Terrifying Shark Attacks of 1916 by Michael Capuzzo
A meticulously researched and historically detailed trip to the summer of 1916, when a great white shark terrorized swimmers along the New Jersey shore.

So detailed is the tale that while the first victim is introduced on page 1, the actual first attack doesn't finally happen until page 95. Capuzzo takes his sweet time getting to the first strike, giving us a lovingly detailed look at life in that part of America in 1916, when the country was somewhat reluctantly coming out of the Victorian era but hadn't yet reached the roaring twenties. He's done his research on both this era and on sharks themselves.

These attacks inspired Peter Benchley to write his best-selling novel Jaws, which would go on to become an even more successful film. Shark expert Matt Hooper, played by Richard Dreyfus, references these attacks in the movie.

The great jaws rose from the water, a white protective membrane rolled over the eyes, fifty triangular teeth closed with more than six tons of pressure per square inch, and man and fish splashed in a spreading pool of blood. One bite. One massive, incapacitating bite tearing into the left leg below the knee. Charles screamed in mortal agony, a scream that resonated to the beach and tennis courts and veranda. The attack had taken less than a second, but now time began to slow down. His parents and sisters and the crowd of onlookers stood transfixed in horror and disbelief.


A Streetcar Named Desire by Tennessee Williams
Due to a combination of my newfound obsession with New Orleans and one of the movie channels recently airing Streetcar, which has always been a favorite, I ended up buying The Collected Plays of Tennessee Williams, a hefty two-volume set that covers the prolific playwright's work from 1937 through 1980.

The story of the brittle and fallen Blanche DuBois's ill-fated visit to her sister Stella and brutish brother-in-law Stanley Kowalski in New Orleans is well known. It was interesting to see what was left out of the film version (mainly pieces of dialogue), how it was staged, and especially how the ending was changed for the film to placate the Hays Code that was in place in Hollywood at the time. It was even fascinating to see how different lines of dialogue were written in the play versus how they were delivered in the film, specifically Karl Malden's comical film-version insistence that, "Poker should not be played in a house with women!" In the play's text, it's supposed to be said "sadly but firmly". Not sure if Malden said it sadly but firmly onstage as Williams wrote it, but he certainly didn't on film.

What else? STANLEY (with heaven-splitting violence): STELL-LAHHHHH!


You Will Know Me by Megan Abbott

Megan Abbott is hands down one of the best writers alive right now. That being said, while You Will Know Me has been receiving accolades and although I liked it enough, it didn't stay with me the way two of her earlier works, The Song is You and Queenpin, did.

Katie and Eric Knox's life pretty much revolves around their teenage daughter Devon, a budding world-class gymnast. Their lives are thrown into chaos when Ryan Beck, a young man who is dating an assistant coach at Devon's gym, is killed by a hit-and-run driver. With a qualifying meet that will put Devon en route to the Olympics looming, the investigation into Ryan's death gets closer and closer to the Knoxes. Katie's response is to do everything necessary to protect her family and especially her icy, iron-willed daughter.

Abbott does a great job of bringing us into the hyper-competitive world of girl gymnasts and their families. Some of it is fascinating, like the financial sacrifices and wanting everything for their children. Some of it is just sad, like the fear of the onset of puberty ruining the girls chances at greatness.

Was one meant to pay forever for a fleeting mistake? A turn of the wheel, a bobble of a foot, a pause that lasted seconds too long?


Chronicles of Old Las Vegas: Exposing Sin City's High-Stakes History by James Roman

I grabbed this while at Barnes & Noble because it looked interesting and I wasn't disappointed. I also discovered this is part of a "Chronicles" series, so now the Los Angeles version is on my Amazon wish list.

Las Vegas is a city like no other and its history reflects that. Roman goes all the way back to the area's original residents, the Paiute Indian Tribe, who were able to survive in the desert due to the fact that Vegas actually sits on a spring well. After a bumpy start with white settlers, Chief Tecopa, leader of the Paiutes, decided his people would be better off joining rather than fighting and the settlement of Las Vegas began. Brigham Young and the early Mormons would also play a surprising major role in the development of the future Sin City.

The book covers a number of eras in the city's colorful history, including the mob, prostitution, atomic testing in Nevada, Elvis, Liberace, the MIT card counting scandal, desegregation, Siegfried & Roy, the rise and fall of various hotels and casinos, and of course The Rat Pack. Like the town it covers, there's never a dull moment in this book.

The show was more than just famous singers crooning the great American songbook; it had an edge. It was the era when nobody brought kids to Sin City. These guys were swingers: bad boys who earned their moniker as the Rat Pack, laughing and boozing it up onstage while cheating on their wives and mingling with the Mob when they weren't filming a movie.



Night Tremors by Matt Coyle
Disclaimer: Matt Coyle is the editor for my story in LAst Resort. Because Matt lives down in the San Diego area we edited via phone and email. I finally got to meet him in person at Bouchercon in New Orleans.

Night Tremors is Coyle's second Rick Cahill novel and was nominated for Best Novel at Bouchercon in September. It didn't win, but the first Cahill novel, Yesterday's Echo, scored Bouchercon's Anthony Award for Best First Novel in 2014. The third Cahill novel, Dark Fissures, will be released in December.

Cahill is a La Jolla (upscale San Diego suburb for you non-Southern Californians) former cop turned private investigator. He's had a rough past that involved his wife being murdered, with the added insult of him being the chief suspect, creating a very rocky relationship with his former fellow cops. Here he's asked to clear a young man who had been convicted years earlier of slaughtering his family as a teen. The young man's grandparents are convinced of his innocence and have the financial means to bankroll a new investigation. While Cahill initially signs on out of sympathy for the grandparents and a need to cover his mortgage, he becomes increasingly convinced that the same cops who think he murdered his wife helped frame the young man.


"Your case is a dog, Cahill." She folded her arms across her chest and her eyes went black. "Randall Eddington killed his family, and you're only adding to his grandparents' grief by giving them false hope. Are you proud of the way you make a living, Rick? By sucking money out of other people's sorrow?"


Flyovers by Jeffrey Sweet
Another play! Jeffrey Sweet is an award-winning playwright and author, and when I came across him I decided to check out one of his plays.

Flyovers was a big hit when it debuted in Chicago in 1998, starring William Petersen, Marc Vann, Amy Morton and Linda Reiter. I'm thinking the performance probably ran about an hour. This was a quick, easy read with a terrific twist ending.

Oliver (Vann) is a successful New York-based film critic who co-stars on a Siskel & Ebert-type show and has returned to his native Ohio small town for his high school reunion. While there, he is invited home for drinks by Ted (Petersen), who bullied him back in the day when they were in school together. Ted has recently lost his job due to a local factory closing after it was bought by a big corporation and his combination of disdain and envy over Oliver's big-city success is palpable. They are joined by Iris (Morton), who Oliver crushed on in high school. Oliver thinks everyone is burying the hatchet, but he's actually being set up for blackmail pictures and the way he handles it is delightfully unexpected. Even crazier, according to the author's notes, this is based on a real life blackmail attempt that happened to a friend of Sweet's.

OLIVER: If I don't write the check-
TED: Old business. I send the pictures to-
OLIVER: -to my wife, yes. But what size were you thinking of sending?

Tuesday, October 18, 2016

Bouchercon - Day 3 (Saturday)

Missed a couple of early panels because I went to brunch with Mom and The Brother (it was his last day in NOLA) at the Palace Cafe. Still got in four panels.

I also got to meet my LAst Resort editor Matt Coyle and see him on a panel. We'd talked on the phone and via email while editing my story, but it was the first time I met him face to face.



Look Through Any Window: Hollywood
Holly West (moderator), Renee Patrick (aka husband and wife writing team Rosemarie Keenan and Vince Keenan), Melodie Johnson Howe, Diana Chambers, Kathryn Leigh Scott


Hollywood is always an intriguing location and this panel featured writers whose stories are set in Tinseltown.
  • The Keenans write a series featuring legendary Hollywood costume designer Edith Head involved in crime-solving along with an amateur sleuth they created. Their pitch: "Edith Head, detective". Vince is the Managing Editor of Noir City, the e-magazine of the Film Noir Foundation. Rosemarie came up with the idea, Vince liked it, and they were off.
  • Scott, an actress who got her start on the 1960's series Dark Shadows, writes about an fictional actress who plays an amateur sleuth on TV and it carries over into her real life. As the character's fame fades, she ends up living out of her car, which she refers to as the "Ritz Volvo".
  • Vince Keenan: Despite being a native New Yorker, he believes that L.A is the ultimate noir town. When you screw up in L.A. there's nowhere else to go.
Their noir influences:
  • Howe: Raymond Chandler, Dashiell Hammett, Vera Caspary.
  • Chambers: Casablanca, filmmakers who fled Nazi Germany for the U.S.
  • Scott: Agatha Christie, Dorothy Sayers.

Doin' What Comes Naturally: Believable Characters
Meg Gardiner (moderator), Matt Coyle, Diane Vallere, Erik Storey, Marty Wingate


Writing characters who do jobs you have (or haven't) done:
  • Wingate: Avid gardener, has gone to England to research their gardens. Her stories are set in Seattle, where the weather is similar to England's.
  • Coyle: First novel was set in a restaurant - he's a former restaurant manager.
  • Vallere: Her books are set in the fashion industry - she's a former fashion buyer.
Challenging their characters:
  • Storey: Trial by fire.
  • Coyle: Make them do something they don't want to do.
  • Vallere: Find the emotional thread.
Making larger than life characters believable:
  • Storey: Give them a flaw. And have them fail once in a while - it's boring if they're perfect all the time.
  • Wingate: Trip them up. And give them a vested interest in the victim.
  • Coyle: Doesn't think of his character, Rick Cahill, as larger than life, but he has to do huge things.
Heroes vs. Villains:
  • Storey: Both should feel real.
  • Coyle: Villains often get short shrift. The villain thinks he's the hero, and needs to have a motive for his actions.
What kills believability:
  • Storey: Stereotypes.
  • Coyle: Behaving out of character to keep the plot going.
  • Vallere: Being too perfect.
  • Wingate: Too much coincidence.
Most important aspect to creating a believable character: 
  • Storey: Adding layers as the story progresses.
  • Vallere: Can you list 20 things about them? Even things they don't do anymore and have left in their past.

Born on the Bayou: Louisiana Stories
Bill Fitzhugh (moderator), Bill Loehfelm, O'Neil De Noux, S.W. Lauden, Harley Jane Kozak, Jaden Terrell

This panel was different than usual in that the participants took turns on the stage and did one-person performances showcasing their personal experiences with New Orleans. They were all terrific.

Loehfelm is a New Yorker who moved to New Orleans in 1997. He described dealing with the New Orleans Police Department's Mounted Unit during Mardis Gras, which can be summed up in three statements: "Yes sir/ma'am", "No sir/ma'am" and "Thank you officer, I'll be on my way".

Kozak was attending a conference in New Orleans when Hurricane Katrina hit and she described fleeing her hotel, the city and the airport. Short version: It got crazy.

O'Neal was a Jefferson Parish patrolman who had a hilarious story about a naked dancer who ended up on his patrol car while on duty on Fat City Avenue, which he described as Metaire's (a suburb of NOLA) version of Bourbon Street. So basically, there was a ton of booze involved.

Laughton discussed his memories of his band's road trip from California to New Orleans. Apparently you can take the 10 Freeway all the way from Southern Cal to NOLA. I'll bet that's an interesting trip even if you aren't crammed in a van with a bunch of rockers.

Fitzhugh had a great story from his teen years about cutting school and driving from Jackson, Mississippi with some friends, and indulging (or trying to) in all the vices that NOLA has to offer. This included trying to score a tryst with a lady on a stoop, who, when he got closer, was sporting facial stubble. 

Because I'm writing this a month after the fact, I can't exactly remember Terrell's story because my notes are minimal, but I do remember that she still owes a tip to a construction worker.

Take a bow!

So Long, Farewell: Nailing the Ending
Cara Black (moderator), Lisa Alber, Charles Rosenberg, James Hankins, Stuart Neville


On playing fair with the readers' expectations of resolution:
  • Neville: As a writer you have a contract with the reader that the story will reach a satisfying (although not necessarily happy) ending.
  • Hankins: Playing fair is critical. You can hide the ball, but it still has to be there.
Endings they envy:
  • Hankins: Author Greg Iles - shades of gray in his resolutions, because you can't save everyone.
  • Neville: James Ellroy's American Tabloid, which ends with President John F. Kennedy's assassination. Instead of describing the shooting, the character of Pete Boundourant hears, "One big fucking scream."
  • Alber: Author Sophie Hannah. You get the sense of things continuing after the book ends.
  • Rosenberg: Gone Girl. He quoted T.S. Eliot: "This is the way the world ends, not with a bang, but a whimper."
Cool factoid: Neville proposed to his wife at the Los Angeles Times Festival of Books.


And that does it for another Bouchercon! I didn't go to any of the Sunday morning panels because I wanted to hit the French Market again. Among other things, I had a gator burger for lunch!



NOM NOM NOM NOM!!!

Tuesday, October 11, 2016

Bouchercon - Day 1 (Thursday)

Another Bouchercon - my third - is in the books. This year's event was held in New Orleans, which is my new favorite place on the face of the earth. If someone could have just shipped Sophie to me, I could have just moved into that hotel room permanently. I didn't even mind the god-awful humidity. It feels weird to know that I've already been home for three weeks. Mentally and emotionally I'm still back in Louisiana. Get this girl some gator bites.

One of the great things about this year's Bouchercon was that instead of packing the book bags with random books as they've done in the past, everyone got to pick six books from the "book bazaar", many of which were from authors who were appearing on panels. It was hard to pick just six, there were so many good ones available. But good idea, not to mention it probably saved the volunteers tons of time not having to pack the bags.

Here are my Thursday panels:

Hank to Hendrix: Beyond Chandler and Hammett
Peter Rozovsky (moderator), Martin Edwards, Gary Phillipe, Eric Beetner, Rick Ollerman


The panel was asked to discuss writers who are not as well-remembered as say, Chandler and Hammett, but who in their opinions should be. Here are their picks and reading recommendations:

Beetner: William P. McGivern - An Edgar Award winning author whose novels were turned into great noir films, including The Big Heat with Glenn Ford. Later, McGivern wrote for TV shows including Adam-12 and Kojak. Also recommended: Shield for Murder, Odds Against Tomorrow.

Edwards: Michael Gilbert - A prolific British author of crime and spy novels, as well as numerous short stories. He was a lawyer and did a lot of his writing on his commutes to and from work. Ironically, Raymond Chandler was once a client of his. Recommended: Smallbone Deceased, Death in Captivity.

Ollerman: Peter Rabe - Fled Nazi Germany and landed in the United States as a teen. In addition to his crime novels, he also wrote a couple episodes of Batman. He was once misdiagnosed with terminal cancer (he was accidentally given another patient's diagnosis). His take on noir: "You start out screwed, you end up screwder." Recommended: Kill the Boss Goodbye, The Silent Wall.

Phillips: Clarence Cooper, Jr. - An African American author whose stories revolved around Black American life at the time, especially in regards to  violence, drugs and jail, the last two of which Cooper was well acquainted with. He started out as a newspaper editor, but his heroin addiction landed him in prison, where some of his books were written. Unable to get a handle on his drug problem, he died in his mid-forties, destitute and strung out. Recommended: The Scene, The Farm.


Guest of Honor Harlan Coben interviewed by Michael Connelly


Connelly interviewed Coben in front of a packed house. Coben is the author of thirty novels, plus he is also the creator of a British series called The Five. His bestseller Fool Me Once is in development with Julia Roberts attached, with Coben writing the script. Some other things discussed:
  • Personal loss is influential in his writing due to his own experiences. By age 32 he had done seven eulogies, including his parents and a three-year-old niece.
  • He doesn't outline. 
  • He doesn't write for the market and doesn't recommend it.
  • On what he is going to do next: "I'm gonna write a book."

One More Time: Character on the Screen
Lee Goldberg (moderator), Nina Sadowsky, Burt Weissbourd, David Morrell, Alexandra Sokoloff, Phoef Sutton


Goldberg has been at almost every book event I've attended the past few years, and he's always entertaining. In fact, I just saw him at Writers' Police Academy in August. Despite the title of the panel, they discussed adaptation more than seeing their characters brought to life.
  • Panelists offered best adaptions in their opinion (movies at least - if not better - than the books): Jaws, Terms of Endearment (six separate characters in the book were combined into the one played by Jack Nicholson), Silence of the Lambs, The Godfather, The French Connection, Psycho.
  • Sokoloff: Find 6 to 8 things that are key to the story and keep those. Think of scenes that a reader would expect to see in the movie trailer. Sutton: Find the main set pieces.
  • Sadowsky: The more successful the book, the less you can change in the adaptation because of reader/audience expectations - she gave the Harry Potter books as an example.
  • Morrell, the author of First Blood, talked about how his book became a series of movies that took on a life of their own. First Blood - which has never been out of print - introduced the character of Rambo, who would later be played by Sylvester Stallone, and Morrell talked about how the tone of his story was changed quite a bit in the process of being adapted for the big screen (not to mention that Rambo dies in the novel, which didn't go over well with test audiences).
  • Goldberg related the story of meeting with a studio executive to discuss his book The Walk. The main character in The Walk is a male TV executive who has to walk from Downtown Los Angeles to his home in the San Fernando Valley after a major earthquake. The executive wanted to change the main character to six midwestern cheerleaders and the quake (too cliche) to a flood. Goldberg passed.

Can't You Hear Me Knocking: Social Media and Promotion
Sarah Williams (moderator), Cara Brookins, Tess Collins, Jennifer Kincholoe, Maddee James


How to navigate the internet, social media and self-promotion as an author was the focus of this panel. Some of the advice:
  • Don't depend on social media sites to manage your readership. Direct traffic to your website - you own your mail list. Your website should be the hub of your online presence. 
  • Run your online presence like you're running for President.
  • Think about interaction and community, not just your sales pitch. 
  • When responding online, make it count. No "LOL", "Thanks" or "Heh".
  • Publishers will take notice of how many followers you have.
  • Pay for a professional profile photo, logo and website design.

Dead Man's Party: The Realities of Death Scene Investigation
Ayo Onotade (moderator), Jan Burke, Alistair Kimble, DP Lyle


  • Burke, in addition to being an author, is also the founder of The Crime Lab Project, which is trying to bring awareness to the fact that most crime labs aren't well-outfitted like the ones you see on TV. A lot of them are underfunded and backlogged (especially in terms of DNA samples waiting to be tested for rape and murder cases) and The Crime Lab Project is working to correct that. D.P. Lyle, who I blogged about here (and whose expertise I called on again when editing my LAst Resort story) is also involved. Burke and Lyle also do the highly regarded Crime & Science Radio Show podcast
  • Lyle and Kimble (who is an FBI Special Agent) joked about the "CSI Effect", the phenomenon of the public believing that crime scene investigation, crime labs and other aspects of crime investigation are what they see on TV. It becomes a problem when viewers end up on juries and wonder why real-life doesn't imitate art.
  • Kimble's FBI forensics team worked the Aurora, Colorado theater shooting. Their crime scene was covered with popcorn along with brain matter, and inside the theater it was hard to tell the difference. As a result, a number of people on the team can no longer bring themselves to eat popcorn.
  • Burke: DNA is a great tool. A sample the size of a dot from a pen on a piece of paper is sufficient to test. 
  • Kimble was asked how his bosses at the FBI feel about his writing fiction. The FBI requires its employees to get permission to take on any additional employment and don't usually give it, but because he can write on his own time he gets a pass. They do review all his manuscripts. He joked that the FBI's 3-day turnaround on his work is faster than most editors.
  • Lyle on being the difficulty of being writer: "After sixteen books, there's still that 50,000 word panic, like you don't know what you're doing, you're a fraud, this is horrible, why are you doing this, go kill yourself. Happens every time."

It was a long day - Friday was a bit more sane and is up next.

Tuesday, October 4, 2016

Words of Wisdom: New Orleans edition

Don't you just love those long rainy afternoons in New Orleans, when an hour isn't just an hour - but a little piece of eternity dropped into your hands - and who knows what to do with it? --Tennessee Williams


New Orleans gets right into your bones and into your blood. --Toni McGee Causey


What happens in Vegas may stay in Vegas, but what happens in New Orleans goes home with you. --Laurell K. Hamilton


New Orleans is unlike any other city in America. Its cultural diversity is woven into the food, the music, the architecture - even the local superstitions. It's a sensory experience on all levels and there's a story lurking around every corner. --Ruta Sepetys


In America, I would say New York and New Orleans are the two most interesting food towns. In New Orleans they don't have a bad deli. There's no mediocrity accepted. --Mario Batali


New Orleans lives by the water and fights it, a sand castle set on a sponge nine feet below sea level, where people made music from heartache, named their drinks for hurricanes and joked that one day you'd be able to tour the city by gondola. --Nancy Gibbs


And you find as a writer there are certain spots on the planet where you write better than others, and I believe in that. And New Orleans is one of them. --Jimmy Buffet


Wednesday, September 21, 2016

Missing NOLA

I'm not even close to getting all my pictures from the New Orleans trip downloaded and organized, but since I am missing NOLA already, here are some to keep you (meaning me) going until I get them all together:

Streetcar on Canal Street

Crescent City Connection Bridge

Steamboat Natchez. We took a ride the next day.
It was wonderful for so many reasons.

Cafe Du Monde. I'm hooked.

Mule-drawn carriage on Decatur Street. 
They're  all over the French Quarter.

Statue of Andrew Jackson in Jackson Square, 
with the St. Louis Cathedral in the background.

May the curse be with you.

View from my room, looking southeast.