Showing posts with label LAst Resort. Show all posts
Showing posts with label LAst Resort. Show all posts

Saturday, June 19, 2021

Charmed, I'm sure!

The other day this popped up on my Facebook feed: Celebrating Every Publication by Kate Fellowes

What Kate has done over the years is fill bracelets with charms relating to her stories and essays each time she's been published. She's currently on her third bracelet.

I thought it was a pretty cool idea, so I looked at my whopping four published short stories and started thinking about charms. Here's what I came up with. 

1 - "Crime Drama/Do Not Cross", which appeared in LAst Resort, is a Hollywood-based story about a failed actress turned private eye, and who is obsessed with a CSI franchise-type show that is about to end its run. So I figured a Hollywood sign charm would be awesome.

I had a surprisingly tough time finding Hollywood-related charms. In addition, a lot of them are intended to have chains looped through them, while I'm looking for charms with clasps. So far this is the closest thing I've found and I'm not really sold on it. I love the comedy and tragedy masks, but not for this story.


I did find this clapper board, but not happening at that price. Even the charms at Brighton (where I was really hoping to find what I needed to make this happen) aren't anywhere near that, and that is not an inexpensive place to shop.


2 - "Like Deja vu All Over Again", which appeared in Crossing Borders, was based on a nightmare I had years ago about being carjacked. So obviously a car charm is needed here.

Again, I was surprised by the apparent lack of car-related charms. The car in the story is an old Toyota Corolla, so it can't be a fancy car. I might need to brainstorm this one a bit more.

3 - In "The Legend of Bahama Bobby", which was just published in The Fish That Got Away, Bobby is a painter, so something painterly, obviously.

I found the perfect charm here. Is this cute or what?


4 - Lastly we have "Christine Thirteen", which is just now being published in Avenging Angelenos (I'm still swooning over that cover). I don't want to give too much away, but the obvious choice is a disposable coffee cup with a lid.

I was surprised how few of these I could find. You'd think they'd be all over the place. I needed a cup with a lid as opposed to a cup and saucer, and eventually found this.

So far I haven't bought any of these because I don't want the collection to be spotty, but if I can find charms to go with all four stories, it's pretty certain I'll be adding to my jewelry collection. Plus, it would be a heck of a conversation piece, don't you think?

Thursday, April 15, 2021

Recent reading: "Wrong Light"


Wrong Light by Matt Coyle

The fifth in Coyle's Rick Cahill series (currently he's up to number seven with another on the way).

Cahill is a former Santa Barbara cop turned San Diego P.I. with a lot of baggage. In Wrong Light he's hired by a San Diego radio station after their popular late-night call-in host, Naomi Hendrix, receives a creepy, vaguely threatening letter from an apparent stalker that the local PD doesn't think is threatening enough to investigate. Cahill disagrees with that assessment but is hindered by Naomi herself, whose insistence on keeping secrets of her past and not taking the threat seriously doesn't make Cahill's life or investigation any easier.

To complicate things Cahill gets a call from a vicious Russian mobster he owes a favor to, so in addition to trying to identify Naomi's stalker and keep her safe, he's obligated to take on a surveillance gig that he doesn't really understand...but is determined to figure out. And if he does it could earn him even more wrath from the Russians, who would have no problem eliminating him, something Cahill is well aware of.

Cahill lives with what he has to do, and does what he has to do to stay alive. And what he has to do doesn't always follow the stereotypical do-the-right thing code adhered to by so many fictional PI's and detectives. His default intention is to do the right thing but sometimes he's thwarted, sometimes he steps over the legal line for his cases, and other times it's a him or them situation. 

Coyle is a master of fast-paced plotting and despite this book being 330+ pages, I got through it really quickly. There was no point at which I felt bogged down; it's the reading equivalent of riding a roller-coaster. I'm way behind on this series in addition to being out of order, but if there's anything I got out of Wrong Light, it's that I need to catch up. 

Disclaimer: Matt Coyle was my first editor, when "Crime Drama/Do Not Cross" was published in LAst Resort in 2017. This didn't effect how impressed I was with this novel and how well it is written.


Monday, June 10, 2019

Another California Crime Writers Conference is in the books

California Crime Writers Conference is a bi-annual co-production of Sisters in Crime/Los Angeles and the Southern California chapter of Mystery Writers of America. While shorter and smaller than conferences like Bouchercon and Left Coast Crime, it gets a lot of the same writers as the bigger conferences. Plus it was good to spend the weekend on the westside. Cool weather, ocean breezes, even the 405 wasn't so bad.

I got to reconnect with a couple of people as well as my editor from LAst Resort. I also learned who will be writing the forward for Crossing Borders and I was thrilled by the choice. It hasn't been announced yet, so I'm not going to jump the gun here.

My two favorite panels were the TV writers and The Dark Side: Thrillers, Suspense, Noir. From the TV panel I learned that not all TV writing staffs have a room, which surprised me. I thought all shows had a writer's room. I also gained a better understanding of the current rift between the Writer's Guild and talent agencies. From another panel I learned that if you're looking for an agent, Thrillerfest's pitchfest is the place to go. Apparently it's a pitchfest on steroids.

I came home with six new books, although in my defense one was in my book bag and two were from the freebie room.


One of the neat things about CCWC is that lunch is provided both days. Both lunches were pretty good, but it was the desserts that really impressed. The cakes were very rich and they gave us huge slabs. I was only able to finish about half on both days and considering my appetite, that should give you an idea of how substantial the dessert servings were. This was from Sunday:

Objects on plate are larger than they appear.

All in all, a great weekend. Looking forward to 2021.

Monday, June 3, 2019

Submitted for your approval...and acceptance!

It's been too long since I had news like this to share: I'm being published again!

My short story "Like Deja vu All Over Again" will be part of Crossing Borders from Partners in Crime, the San Diego chapter of Sisters in Crime. They decided to do their first anthology in conjunction with next year's Left Coast Crime Conference, which will be held March 12-15, 2020 in their beautiful city.

It's been a long journey since I was first published in LAst Resort, and to be honest it was getting discouraging. I was really starting to feel like a one-hit wonder. Also, "Deja vu" is a story I've had kicking around for a long time, so it's nice to finally be able to put this one to bed. Ironically, it was rejected by a Sisters in Crime Guppies anthology just a couple months before I got the acceptance for LAst Resort, although it also has been edited and tightened up a bit since then. I'm so happy it finally has a home in print and can retire from competition.

Crossing Borders will be published in March 2020.

Tuesday, May 7, 2019

The unexpected return of "LAst Resort"

It's been two years since LAst Resort, the short story anthology that made me a first-time published author, was released. So you can imagine my surprise when this popped up on my Facebook feed today:


Why yes, that is LAst Resort right smack dab in the middle of the image! Hello again, you beautiful cover you!

I thought maybe it was an old post that had cropped up for some reason, but when I checked the link, I discovered that it is a current article. Not sure why it's coming up now as a recommendation - that really came out of the blue - but I'm certainly not going to argue with it. Gotta admit, it was nice to see it again. Welcome back old friend!


Updated 5/9/19: Just received an email from Sisters in Crime L.A. explaining what brought LAst Resort back out into the limelight and it's pretty darn cool:

Georgia Jeffries just let us know that the 2017 Anthology, LAst Resort, has been selected as one of the May Book Club Central offerings, sent to libraries and book clubs by SinC National. Every month, National randomly selects several books from the many submissions and features them in newsletters sent to libraries across the country. This month's theme was anthologies. We're so excited that LAst Resort was chosen.

Wednesday, December 5, 2018

We have a winner! And a finalist! And a couple of semi-finalists! And a new writing plan for 2019!

As I posted in August, I had submitted four entries to the Moondance International Film Festival, three in the short story category and one in the short screenplay category. Last week I was looking over old submissions and realized I'd never received any notice from Moondance, and since it's been months I assumed that meant my entries hadn't placed. I tried checking their website multiple times for results, but the results link only led to a page that appeared to be down.

I decided to check again and not only does Moondance have their website issues resolved, but all four of my submissions were listed in the results:





All the winners can be found here.

Needless to say, this was very good news. I needed some encouragement with these stories. Bahama Bobby was written for the St. Petersburg Bouchercon anthology but didn't make it. It did score an Honorable Mention in this year's Writer's Digest Annual Writing Competition (in the Short Story/Genre category), so I figured it wasn't a total waste. Plus, I just love it. It was inspired by this meme, which I thought was hilarious:


Christine Thirteen was written for the most recent Sisters in Crime/LA anthology but wasn't chosen, and Deja vu, which has been around forever. was rejected by the SinC Guppies 2017 anthology (I received that news shortly before Crime Scene/Do Not Cross was accepted for LAst Resort, the 2017 SinC/LA anthology). Chick Stuff was something I wrote years ago and been filed away and forgotten. Nice to see it still has some life.

I haven't done submission posts for October and November because I haven't submitted anything recently. There were several anthologies and markets I wanted to submit to, but ultimately couldn't come up with stories for. I've also been reconsidering my "two submissions per month" plan because it's keeping me from working on larger projects while spending a lot of time and energy on markets that don't pan out. There is one more competition with a December deadline (for cinematic short stories) that I'll submit to and that will be it for 2018.

So the plan for 2019 is to work on a couple of novels. I have an A project that's been kicking around for years and a B project that's a more recent idea that will be my fallback when I hit a wall with/need a break from Project A. I also have a play that I'd like to spend some time on in the next couple of months, in the hopes that it will be ready for 2019 competitions.

There are a couple of upcoming crime anthologies (2019 Bouchercon and the San Diego Chapter of Sisters in Crime) that I definitely want to submit to since these are right up my alley, but other than that I decided I need to try to market my completed short stories to publishers, rather than trying to keep coming up with new ones whenever a theme is announced. Since most of them have placed in competitions, I'm going into 2019 with the mindset that they're worthy of publication if I can just find the right fit for them.

Happy writing everyone!

Monday, October 9, 2017

SQUEEEEEEE!!!!!

That sound you make when you discover you have an author page (however paltry) on Goodreads.


Baby steps.

Wednesday, August 30, 2017

I'm up!


As I mentioned here, LAst Resort contributor Gay Degani has been featuring her fellow authors on her blog Words in Place. Today it's my turn!

Sunday, July 30, 2017

June/July reading

Some new ones, some I had already started, including my own anthology.

Sisters in Crime/Los Angeles Presents LAst Resort Edited by Matt Coyle, Mary Marks and Patricia Smiley
At long last I'm published! Yep, this is the anthology you've been hearing so much about. It's a terrific collection of sixteen short stories focusing on:

Los Angeles, the sun-kissed city of high hopes and second chances, where everyone seems to be from somewhere else. A siren call to dreamers, misfit, mystics and freaks, lost souls and purveyors of sin. They roll in on their last tank of gas, their suitcases bulging with secrets of pasts better forgotten. They stay for a few days, a month, a year, a lifetime. The determined and the desperate, careening and colliding toward trouble...and their last resort.

Many of the stories (mine included) have protagonists who have come to L.A. to find Hollywood stardom. Some stories are of revenge, some of escape. Murder, carjacking, embezzlement, scams, theft, you name it, the people in these stories live it.

Characters abound. Method actors, hired killers, self-appointed avenging angels, spoiled rich brats, felons, doctors, maids, schemers and beautiful dreamers, and so many more who have migrated to Los Angeles for the riches it promises.

From Hollywood to Westwood, from the San Fernando Valley to Silver Lake, from Highland Park to Hancock Park, from Highway 5 to the 405, these stories and the people who inhabit them run the gamut of Los Angeles transplants desperate to make good in the City of Angels.

The anthology features an introduction by best-selling author Michael Connelly as well as absolutely stunning cover art. I'm just in love with it.

I'm also going to be a jerk and quote from my own story, "Crime Drama/Do Not Cross":

I was pretending to flip through my file on him when the door swung open. When it did, I quickly closed the file and waved the wallet that held my official PI license and my not-so-official National Private Investigators badge (thirty-nine dollars on Amazon). I also made a point of shrugging my jacket so he cold get an eyeful of my sort of realish-looking sidearm (actually a starters gun that only fires paper caps, twenty-five bucks on eBay).


The Book of Mormon: The Complete Book and Lyrics of the Broadway Musical by Trey Parker, Robert Lopez & Matt Stone
Considering I've been a South Park fan from Day 1, it's crazy that I just now finally saw The Book of Mormon recently (twice). I absolute loved it, so of course as soon as I got home I went and ordered a bunch of BOM stuff, including the book, which was a quick and achingly funny read.

A group of young Mormon men have just completed their missionary training and are being paired off to go out and spread the good word. Elder Price is the high-achieving prince among these young men, but while the others are assigned to beautiful locations like France, Japan and Norway, Price is shocked when he's stuck with the sloppy, under-achieving Elder Cunningham, and as if that isn't bad enough, their destination is Uganda.

When they arrive in Africa, they find that the natives are too caught up in the misery of their day-to-day lives (which includes war, famine and AIDS) to be bothered with their message. Price and Cunningham initially don't have any more success than the group of missionaries who preceded them (led by the closeted Elder McKinley) and an overwhelmed Price gives up the fight and bolts.

This leaves Cunningham to his own devices, and his tendency to stretch the truth leads him to preach a version of the Book of Mormon that he makes up as he goes along to hold the Ugandans attention. It doesn't help that he hasn't actually read the thing ("It's just so boring!") but as he weaves his accommodating but reality-challenged tale of Joseph Smith, the villagers start to sign on. By the time Elder Price - scared back into service by his "Spooky Mormon Hell Dream" (a truly insane musical number) - returns to the fold, Cunningham has persuaded the non-believers to agree to be baptized.

This unexpected boon attracts the attention of the Mormon Mission President, who decides to witness this miracle for himself. When he arrives, the villagers surprise the Mormons with a performance of the story of Joseph Smith, only not the version in the book - it's the warped version they've learned from Cunningham. And it's delightfully, incredibly offensive.

The critically acclaimed and Tony-winning show is both a love letter to Broadway musicals (no surprise if you've seen South Park: Bigger, Longer & Uncut), a hysterical look at the sweet naiveté of trust and faith, and also at the power of it as well. For as much as BOM pokes fun at the Mormon faith, it does so without any semblance of a mean streak, something rare in this day and age. This is a show created by people who not only know the artform inside and out, but have a great deal of love and respect for it, and surprisingly for people of faith as well. Just with a lot of dirty words.

ELDER PRICE: Africa...is NOTHING like The Lion King - I think that movie took a LOT of artistic license.


Go Down Hard by Craig Faustus Buck
I'd started this book some time ago but it fell by the wayside when I got distracted by my UCLA classes. 

Nob Brown is in a bad place when we meet him. His career with the LAPD ended prematurely, then his wife divorced him. He's currently working - or more accurately, trying to work - as a writer, and is struggling financially. 

Gloria Lopes, a friend (and sometime friend with benefits) since his police academy days, gifts him with access to an old case file. It's the twenty-year-old cold case of murdered rock star Lana Strain, who Nob idolized as a teen. With the anniversary of Lana's death approaching, Nob attempts to finally unravel the mystery of her shooting, hoping he can work the story into an assignment that might lead to the type of movie or book deal that could elevate his career and solve his money problems.

Buck is an amazingly gifted writer and I had the pleasure of being on a writers panel with him in June. Go Down Hard is a great mystery and great reading. The follow-up, Go Down Screaming, will actually feature Gloria as the main character. Per Buck, when he started writing it, he realized he was tired of living in Nob's head and wanted to focus on Gloria.

"You got balls, Mr. Nob Brown," he says as I take my seat. "We'll see if you get to keep them."


The Walk by Lee Goldberg
Lee Goldberg is a fixture at writers conferences and is always a kick. He has great stories about working in the entertainment industry and one is about a time he met with a producer to discuss the possibility of making The Walk into a film. He was prepared for the idea that he would be asked to make some changes. What he wasn't prepared for was that the producer would want to change the main character from a male television executive to "six midwestern cheerleaders". And that was the end of that conversation. Recently Goldberg announced that a film version of The Walk is back on, I'm assuming with Martin Slack intact.

Slack is visiting the downtown Los Angeles set of one of his TV shows when The Big One - a catastrophic earthquake - hits. Southern California is decimated, but that doesn't stop him from embarking on a harrowing trek to get home to his wife in a gated community in Calabasas, a good 30+ miles away.

While the humor isn't as pronounced as I've come to expect from Goldberg (his pitch of a TV show called "Frankencop" in My Gun Has Bullets is still one of the funniest things I've ever read), Slack's is a fascinating journey and Goldberg throws in an unexpected twist at the end that ties into the executive's determination to continue his journey despite the aftershocks and devastation in his path.

Once again, Marty had little choice but to go under the unstable span, passing the piles of cars, concrete, and rebar that had come down in the quake. A man's unscratched arm stuck straight out from amidst the rubble, coated with a fine layer of dust, a cell phone still clutched in his hand. For a moment, Marty thought about taking it and trying to place another call to his wife, but he couldn't bring himself to do it.


Private Vegas by James Patterson and Maxine Paetro
I actually had the audiobook version of this, read beautifully by Jay Snyder.

This is part of Patterson's "Private" series, and despite the title, takes place mostly in Los Angeles. The Vegas connection exists in the form of Lester Olsen, a former gambler who now runs a business in which he trains beautiful young women to land rich, older husbands, then murder them for their fortunes.

Long before Olsen crosses his path, Jack Morgan, owner of Private, a Los Angeles investigation firm, has other fish to fry. His Lamborghini has been torched in front of his Malibu mansion, one of his investigators has been falsely accused of murder, and his twin brother is trying to undermine his business. There's also the lingering ache of a former girlfriend who had been murdered in his home, and a pair of foreign thugs who are drugging and raping local women while avoiding arrest via diplomatic immunity.

There's a lot going on, but it's all brought together expertly. The only gripe I have is when one of Morgan's female investigator goes undercover to bust Olsen, who figures her out and engineers her death. The miraculous recovery was a bit of a stretch IMO. It's something that's just a pet peeve of mine in film, TV and books.

Terrible shape was an understatement. Adrianna had been drugged, probably raped, maybe by both men, and Khezir Mazul had stroked her throat with a serrated blade. She would have a scar across her neck for as long as she lived.

Saturday, July 29, 2017

Get to know your LAst Resort authors

LAst Resort contributor Gay Degani is running a weekly series introducing the authors of the anthology over at her blog, Words in Place.

The first two features have already posted: Wendall Thomas ("Eggs Over Dead") and Paula Bernstein ("On Call For Murder").

I'm up August 30. In the meantime, do check in weekly at Gay's blog. LAst Resort brought together a really interesting group of writers.

Monday, July 10, 2017

When you see your name on Amazon

The novelty still hasn't worn off.



Also, I made it through my first three author appearances without a train wreck. Good times.

Monday, June 26, 2017

On my way

I recently made my first author appearances, a reading and a panel, and survived to tell the tale!

On June 17, ten of the sixteen LAst Resort authors participated in a reading at The Last Bookstore in Downtown L.A. I had gotten my hair blown out at Drybar the day before, so I wouldn't have to worry about having more frizz than curls (ongoing battle). But the bookstore was like a sauna - it was actually cooler outside than inside, even during a heatwave. I could have saved the fifty bucks I spent on my hair. It was a mess.

Luckily, everything else went well. I had requested some advice on reading for an audience from other participants, and they really came through. I have a speaking voice made for writing and have an unfortunate tendency to slip into a monotone, but thanks to some great advice, it went really well. It was great to get that one under my belt, as well as meeting some of my fellow anthology authors.

Last Saturday I was on a panel at the Santa Monica Public Library (Ocean Park Branch) on the topic of female investigators. The panel was moderated by Laurie Stevens, who is also a contributor to LAst Resort, and she did a fantastic job. The other panelists were Craig Faustus Buck, whose Go Down Hard is amazing (I'm in the middle of it) and Vanessa A. Ryan. It went really well, with the added bonus of my Mom and Brother making the traffic-laden drive. It was also my birthday, making it also the one year anniversary of my story being accepted for the anthology.

Next up: All sixteen contributing authors at Vroman's in Pasadena.

Sunday, May 14, 2017

Happy Mother's Day to my Dad: 10/8/40 - 5/14/11

When my Dad died on May 14, 2011, one thing that I didn't think of at the time was that every seven years or so, the anniversary of his death would fall on Mother's Day. Today is one of those years. I think he would be happy to know that everyone is doing well, and that Mom is going to have a great Mother's Day with The Brother and I.

I still miss him for a number of reasons. One biggie is that this year - just last month in fact - I was published for the first time. My Mom is fond of telling me that when I would send them stuff I'd written, they'd wonder if they thought it was great because I was their daughter and they couldn't be objective, or if I was really that good. That question was finally answered with LAst Resort, not to mention so far I've been acing my UCLA Extension classes.

He would have gotten a huge kick out of seeing me in print. He wasn't the easiest guy to impress, nor did he flatter or give compliments unless it was truly warranted and deserved, but he would have been having a blast with this.

I've also been able to move on from the clusterfuck of family drama created after he died and was no longer around to rule with an iron fist. Sometimes it actually helps to have one of those in the family, so that you don't have the inmates running the asylum. That whole episode was a bitter pill for a long time, not only because of the stress and aggravation it caused, but especially because it was so hatefully disrespectful of what everyone knew were his final wishes and what he would have wanted. But that crap is now in the past, and there it will stay. For the most part.

Because whether you consider it making lemonade when life gives you lemons, or every cloud having a silver lining, the fact is that although I once thought I'd never want to revisit that period of my life, with the passage of time it has in fact provided me with a ton of story fodder I wouldn't have otherwise had, including my Better Call Saul script for the UCLA program. And I know my Dad would have loved that.

Rest in peace, Dad, and know that all is finally well.










Saturday, April 8, 2017

At LAst!!!


The release date isn't until April 17th, but Amazon is already shipping LAst Resort. I had preordered and Mom and I received our copies on Thursday. So I'm officially in print for the first time! 

You can (if you're so inclined) order it here.

It's so weird seeing my name in a book. It's also weird seeing the story (Crime Drama/Do Not Cross) in a book as well - I've only seen it printed out on 8x10 paper. It's just so surreal. It's also something I could get very used to.

LAst Resort editors and contributors will be doing author panels at The Last Bookstore in Downtown L.A. on June 17 and at Vroman's in Pasadena on July 8. In addition, Sisters in Crime L.A. always has a booth at the Los Angeles Times Festival of Books (April 22-23 this year). My editor, Matt Coyle, will be signing at the SinC LA booth, but I'll probably miss him as I'll be standing in line to get my copy of LAst Resort signed by Michael Connelly during the period Matt is scheduled.

Big thanks to everyone at Sisters in Crime Los Angeles for the opportunity, and to Matt for being such a kickass editor.

Update: Shortly after I posted this, I got an email from SinC LA asking if I would like to participate in an author panel at Santa Monica Public Library in Ocean Park on June 24. Of course, the answer is yes. Other authors on the panel are Craig Faustus Buck, Vanessa A. Ryan and Laurie Stevens. It will be at 2pm. Drop by if you get a chance!

Tuesday, March 7, 2017

Authors and editors event set for LAst Resort!

Sisters in Crime Los Angeles has set a date for our authors and editors event: Sunday, July 8 at 4pm at Vroman's Bookstore in Pasadena. They're trying to get all sixteen authors and all three editors. It's going to be a big group, so they're not sure of the format yet. But whatever they decide to do, it's going to be my first author panel and I'm really looking forward to it. God knows I've been on the other side of the equation at countless panels. It will feel good to be there as a published writer.

More info as I get it.

Monday, February 6, 2017

We have pre-order and can now share cover art!!!

Just got the email that LAst Resort, the newest anthology from Sisters in Crime Los Angeles (and my first time being published) is now available for pre-order on Amazon!


We were sent the cover art some time ago but were asked to keep it under wraps until SinC LA made the pre-order announcement.

The anthology, with an introduction by Michael Connelly, will be released on April 17. You will also be able to purchase it from SinC LA's booth at the Los Angeles Times Festival of Books April 22-23, 2017.

It's so weird - and wonderful - to see my name on an Amazon page!

Saturday, November 19, 2016

Recent reading

The past few months I've gotten in the bad habit of starting books but not finishing them. It's like my writing - a ton of works in progress, but nothing finished. I've tried recently to wrap up some of my reading works in progress, and here they are.

Close to Shore: The Terrifying Shark Attacks of 1916 by Michael Capuzzo
A meticulously researched and historically detailed trip to the summer of 1916, when a great white shark terrorized swimmers along the New Jersey shore.

So detailed is the tale that while the first victim is introduced on page 1, the actual first attack doesn't finally happen until page 95. Capuzzo takes his sweet time getting to the first strike, giving us a lovingly detailed look at life in that part of America in 1916, when the country was somewhat reluctantly coming out of the Victorian era but hadn't yet reached the roaring twenties. He's done his research on both this era and on sharks themselves.

These attacks inspired Peter Benchley to write his best-selling novel Jaws, which would go on to become an even more successful film. Shark expert Matt Hooper, played by Richard Dreyfus, references these attacks in the movie.

The great jaws rose from the water, a white protective membrane rolled over the eyes, fifty triangular teeth closed with more than six tons of pressure per square inch, and man and fish splashed in a spreading pool of blood. One bite. One massive, incapacitating bite tearing into the left leg below the knee. Charles screamed in mortal agony, a scream that resonated to the beach and tennis courts and veranda. The attack had taken less than a second, but now time began to slow down. His parents and sisters and the crowd of onlookers stood transfixed in horror and disbelief.


A Streetcar Named Desire by Tennessee Williams
Due to a combination of my newfound obsession with New Orleans and one of the movie channels recently airing Streetcar, which has always been a favorite, I ended up buying The Collected Plays of Tennessee Williams, a hefty two-volume set that covers the prolific playwright's work from 1937 through 1980.

The story of the brittle and fallen Blanche DuBois's ill-fated visit to her sister Stella and brutish brother-in-law Stanley Kowalski in New Orleans is well known. It was interesting to see what was left out of the film version (mainly pieces of dialogue), how it was staged, and especially how the ending was changed for the film to placate the Hays Code that was in place in Hollywood at the time. It was even fascinating to see how different lines of dialogue were written in the play versus how they were delivered in the film, specifically Karl Malden's comical film-version insistence that, "Poker should not be played in a house with women!" In the play's text, it's supposed to be said "sadly but firmly". Not sure if Malden said it sadly but firmly onstage as Williams wrote it, but he certainly didn't on film.

What else? STANLEY (with heaven-splitting violence): STELL-LAHHHHH!


You Will Know Me by Megan Abbott

Megan Abbott is hands down one of the best writers alive right now. That being said, while You Will Know Me has been receiving accolades and although I liked it enough, it didn't stay with me the way two of her earlier works, The Song is You and Queenpin, did.

Katie and Eric Knox's life pretty much revolves around their teenage daughter Devon, a budding world-class gymnast. Their lives are thrown into chaos when Ryan Beck, a young man who is dating an assistant coach at Devon's gym, is killed by a hit-and-run driver. With a qualifying meet that will put Devon en route to the Olympics looming, the investigation into Ryan's death gets closer and closer to the Knoxes. Katie's response is to do everything necessary to protect her family and especially her icy, iron-willed daughter.

Abbott does a great job of bringing us into the hyper-competitive world of girl gymnasts and their families. Some of it is fascinating, like the financial sacrifices and wanting everything for their children. Some of it is just sad, like the fear of the onset of puberty ruining the girls chances at greatness.

Was one meant to pay forever for a fleeting mistake? A turn of the wheel, a bobble of a foot, a pause that lasted seconds too long?


Chronicles of Old Las Vegas: Exposing Sin City's High-Stakes History by James Roman

I grabbed this while at Barnes & Noble because it looked interesting and I wasn't disappointed. I also discovered this is part of a "Chronicles" series, so now the Los Angeles version is on my Amazon wish list.

Las Vegas is a city like no other and its history reflects that. Roman goes all the way back to the area's original residents, the Paiute Indian Tribe, who were able to survive in the desert due to the fact that Vegas actually sits on a spring well. After a bumpy start with white settlers, Chief Tecopa, leader of the Paiutes, decided his people would be better off joining rather than fighting and the settlement of Las Vegas began. Brigham Young and the early Mormons would also play a surprising major role in the development of the future Sin City.

The book covers a number of eras in the city's colorful history, including the mob, prostitution, atomic testing in Nevada, Elvis, Liberace, the MIT card counting scandal, desegregation, Siegfried & Roy, the rise and fall of various hotels and casinos, and of course The Rat Pack. Like the town it covers, there's never a dull moment in this book.

The show was more than just famous singers crooning the great American songbook; it had an edge. It was the era when nobody brought kids to Sin City. These guys were swingers: bad boys who earned their moniker as the Rat Pack, laughing and boozing it up onstage while cheating on their wives and mingling with the Mob when they weren't filming a movie.



Night Tremors by Matt Coyle
Disclaimer: Matt Coyle is the editor for my story in LAst Resort. Because Matt lives down in the San Diego area we edited via phone and email. I finally got to meet him in person at Bouchercon in New Orleans.

Night Tremors is Coyle's second Rick Cahill novel and was nominated for Best Novel at Bouchercon in September. It didn't win, but the first Cahill novel, Yesterday's Echo, scored Bouchercon's Anthony Award for Best First Novel in 2014. The third Cahill novel, Dark Fissures, will be released in December.

Cahill is a La Jolla (upscale San Diego suburb for you non-Southern Californians) former cop turned private investigator. He's had a rough past that involved his wife being murdered, with the added insult of him being the chief suspect, creating a very rocky relationship with his former fellow cops. Here he's asked to clear a young man who had been convicted years earlier of slaughtering his family as a teen. The young man's grandparents are convinced of his innocence and have the financial means to bankroll a new investigation. While Cahill initially signs on out of sympathy for the grandparents and a need to cover his mortgage, he becomes increasingly convinced that the same cops who think he murdered his wife helped frame the young man.


"Your case is a dog, Cahill." She folded her arms across her chest and her eyes went black. "Randall Eddington killed his family, and you're only adding to his grandparents' grief by giving them false hope. Are you proud of the way you make a living, Rick? By sucking money out of other people's sorrow?"


Flyovers by Jeffrey Sweet
Another play! Jeffrey Sweet is an award-winning playwright and author, and when I came across him I decided to check out one of his plays.

Flyovers was a big hit when it debuted in Chicago in 1998, starring William Petersen, Marc Vann, Amy Morton and Linda Reiter. I'm thinking the performance probably ran about an hour. This was a quick, easy read with a terrific twist ending.

Oliver (Vann) is a successful New York-based film critic who co-stars on a Siskel & Ebert-type show and has returned to his native Ohio small town for his high school reunion. While there, he is invited home for drinks by Ted (Petersen), who bullied him back in the day when they were in school together. Ted has recently lost his job due to a local factory closing after it was bought by a big corporation and his combination of disdain and envy over Oliver's big-city success is palpable. They are joined by Iris (Morton), who Oliver crushed on in high school. Oliver thinks everyone is burying the hatchet, but he's actually being set up for blackmail pictures and the way he handles it is delightfully unexpected. Even crazier, according to the author's notes, this is based on a real life blackmail attempt that happened to a friend of Sweet's.

OLIVER: If I don't write the check-
TED: Old business. I send the pictures to-
OLIVER: -to my wife, yes. But what size were you thinking of sending?

Tuesday, November 15, 2016

It's cover art day!!! Sort of...

Just got an email a few minutes ago with the cover art for LAst Resort, and it is GORGEOUS! Unfortunately, I can't show it to you because they're asking us not to put it online until the pre-release date, which is February 15, 2017. It will be released in early April, although they didn't give us an exact date.

They only sent us the front cover and contributors names will be listed on the back, so I still haven't seen my name in print yet.

It's just so damn beautiful, I can't stop looking at it. SO HAPPY!!!

Saturday, November 12, 2016

Fun with proofreading marks

This reminds me of when Matt Coyle sent my LAst Resort manuscript all marked up. I've never worked with an editor before and had to jump online and research the marks.


H/T to Gotham Writers' Workshop on FB.

Wednesday, October 12, 2016

Bouchercon - Day 2 (Friday)

Update: I realized that I had included meeting Matt Coyle, my editor on LAst Resort, on this post. That didn't happen until Saturday, so I moved it to the Day 3 post. This is what happens when you recap several weeks after the fact. And also because Bouchercon is so overwhelming at times it turns into a blur.

Speaking of LAst Resort I ran into Rochelle Staub, President of Sisters in Crime Los Angeles, and she had spectacular news about who is writing the forward/introduction for the anthology. It hasn't been officially announced, so I don't want to say anything, but let's just say my jaw just about hit the floor. Definitely raises the book's profile. It also means that my story will be read by one of the most successful writers alive. So very, very cool. I asked her about the cover art and she told me it resembles the cover of Hotel California, which I think sounds awesome. LAst Resort will be released in early April 2017 and will be available for pre-order 6-8 weeks prior to that.

And now, panels!

Writing Groups: Our Experience Forming and Running a Group
Eleanor Cawood Jones (moderator), Donna Andrews, Ellen Crosby, John Gilstrap, Alan Orloff, Art Taylor


The panelists (with the exception of moderator Jones) have been in a writing/critique group for six years. They shared their experience and advice.

  • They meet monthly and schedule several months in advance. Attendance is about 95%.
  • Andrews: "What's said in group stays in group."
  • When they formed the group, they selected all writers who had already been published in order to avoid tension over success or lack thereof. They recommended that if you're starting a group to have writers with similar experience (new and experienced is a bad mix). They also live in the same area, so getting together is doable. They also decided to meet at Gilstrap's house because he commutes to and from Washington DC, so this makes it easier for him to make the meetings.
  • Orloff: "I know everyone in this group has my back."
  • They all indicated that they have learned a lot about writing from the critiques they've received from the group over time. 

You Always Hurt The One You Love: Messing With Your Protagonist
Karen McInnery (moderator), Jeff Abbott, Laura Benedict, Cara Black, Susan Elia MacNeal, Michael Wiley


The worst thing they've done to their protagonists:
Wiley: He's divorced, but still in love with his ex-wife.
Black: Internal pain and loss of her parents and fiancee.
Benedict: Rape, loss of child.
MacNeal: Made her kill a man.
Abbott: Pregnant wife kidnapped, brother killed on video by terrorists.

And why:
Abbott: "I have pages to fill."
Benedict: Conflict moves the story forward. Bad things are going to happen, but revenge is sweet.
Wiley: Facing fears and overcoming them is important.
MacNeal: Likes the idea of ordinary people thrust into extraordinary circumstances. "What would you do?"
Black: Arc of her story is characters learning about themselves.

On the subject of going too far, or at least considering it and then pulling back:
Benedict: Her agent once told her that a decapitation in her story was okay, but rolling the head across the floor to the heroine was a bit much.
Black: Had a pregnant woman in an ambulance but couldn't decide if the baby was going to live. Her agent: "Yes, the baby will live."
Wiley: Wouldn't kill a dog for the longest time, and when he finally did, he made it a bad dog. Won't go after kids. Also feels there's a difference between something horrific happening onstage as opposed to offstage.

Have they ever cried about something they did to a character?
Abbott: Had to kill off a character he loved and had to walk away from his computer.
MacNeal: Just killed off a major character and all she could think about was his mom.
Benedict: Recently killed off a young character and it made her feel sad.
Black: Killed off a character and made her agent cry.
Wiley: Killed off a secondary character once and got a letter from a reader complaining that she had been in love with the character and wanted to kill Wiley for offing him.


Dirty Boulevard: Hard Boiled
Susan Alice Bickford (moderator), Craig Faustus Buck, Rob Hart, Barbara N.S. Nickless, Lisa Turner

  • Buck and Hart when asked about the difference between hard-boiled and noir, cited editor Otto Penzler's take on noir: that it's about losers and everyone is doomed. Hart feels that hard boiled stories are about winners who feel their moral compass is superior to others. Buck also feels that noir has a certain hipness.
  • Hart on archetypes: The hard-boiled private investigator, the gunslinger, the hero - important that they have a disconnect from the world. Orphans, children of tragedy or estranged from their families. 
  • Nickless believes the "lone hero" is an American thing - cited Shane as an example of a story in which the hero comes in, saves everyone, then rides off into the sunset alone.
  • Buck noted that a hard-boiled protagonist can't be a normal, well-balanced guy. Stories need conflict, and that's hard to do if everything is rosy.


Common People: Amateur Sleuths
Clea Simon (moderator), Tim O'Mara, Marcia Talley, Con Lehane, Suzanne Trauth, Susan Oleksliw


On their amateur sleuths:
Trauth: Sleuth is a restaurant manager - her hook is her organizational skills.
O'Mara: His protagonist is a New York City schoolteacher/former cop. O'Mara himself is a long-time NYC teacher and said that there isn't much difference between being a teacher or a cop in NYC. Had a cop in his classroom one day and at the end of her visit she asked him, "How do you do it?" His brother is also an NYC cop.
Oleksliw: Her sleuth is a photographer. Oleksliw uses her camera as a character.
Talley: Librarian - research is her strength.
Lehane: Sleuth is a Library Crime Fiction Coordinator.

Justifying the continuing involvement of an amateur sleuth in stories and series:
Trauth: Give protagonist an emotional imperative in relationship to the crime. A driven personality helps too.
Talley: Try to make her involvement logical (friend, family or self in danger or under suspicion).

Other points made:
  • Talley: If using a real location, be as accurate as possible. She has noted things as specific as where a coke machine is located in the waiting room of an ER. If you get something wrong, someone will let you know about it.
  • Amateur sleuths are usually softer than sleuths in other sub-genres of mystery and crime. Think Agatha Christie's sleuths.
  • Talley often auctions off characters names as fundraisers. Usually the "winners" ask to be murder victims. Was once asked if she could off the person's ex-husband in the story. She did.

Next up: Saturday panels!